Critics

Cordaria held my attention throughout more than 100 minutes. The violin playing is excellent...these are truly virtuoso performances.
— Early Music Review (UK)

baroque violin playing at its best - Walter Reiter’s control of his instrument is, to say the least, astounding.
— Music Teachers Review (UK)

It was love at first sight for the baroque violin... as played by that exceptional musician, Walter Reiter
— Cannes Matin (France)

Walter Reiter and Cordaria play with energy, dash and gusto.
— Fanfare(USA)

In Reiter’s hands, the rigours of authenticity bring Vivaldi’s music alive, revealing its full genius and beauty.
— La critique de peoplesound, (France)

This is my reccomendation for the month..it was difficult not to hear some sort of religious message in this fantastic playing. Every note, every phrase took on some deep meaning...it’s simply wonderful.
— Early Music Review
Alert, vigorous, stylishly virtuoso playing
— The Times, London

Probably the best version of the (Biber) sonatas available.....an emotional honesty and dignity that find fiting culmination in the Passacaglia for solo violin.
— The Gramophone
... an artist who transcends authenticity to enter the universal...his technique is flawless... his understanding of different styles utterly convincing.
— Kol ha’Ir, (Israel)

Walter Reiter ...shows himself to be a stylish, no-nonsense player, who in slower movements mixes a clean, often sweetly singing line with tasteful ornamentation...and who in faster ones shows real virtuosity and fire.
— Gramophone (UK)

Reiter is a consummate specialist of the baroque repertoire...
— Audio Review (Italy)

..intelligence, style and imaginative sensibility...artistry, accuracy and utter conviction.
— The Strad